Saturday, February 13, 2010

Valentine's Day song.

So Valentine's Day is once again upon us. Personally, VD means nothing to me. I'm sure there is some semblance of romantic thoughts and feelings inside of me, but they're buried way down deep, under a writhing, sticky pile of cynicism and half-digested candy.
It would take a pretty special (and congruent to me and my lifestyle) person to pull any genuine romantic affection out of me; such people are mighty thin on the ground 'round these parts.
Most years Valentine's Day is merely a mild irritant. Not this year though, for this time around I couldn't care less.
So to mark the occasion this year I will leave you with a song, which pretty much sums up my thoughts on the day and what it (has come to) stand(s) for.



Let the dead rot
Where they fall
You know sometimes I need a crutch
Just to crawl
So
Loathsome
So loathsome down inside
My heartstrings
They ain't yours to pull
Cops in latex gloves trying
To search my skull
So
Loathsome
So loathsome down inside

I FEEL SO LOATHSOME DOWN INSIDE.

Rancid junk-thought
Elephantitus of the mind
Rancid junk-thought
Elephantitus of the mind
This is my
Escape art
Exhibition
This is my
Escape art
Exhibition
Escape art
Exhibition
Escape art
Exhibition
And I'm never coming back.


♥ Chloé

Monday, February 1, 2010

New Zealand Songs of F*cking Angst pt. 2

With all the hubris and hollow back-patting of the Grammys upon us I think its high time for another post that focuses on music. So with that in mind, welcome to part deux of New Zealand Songs of Fucking Angst. This time around we have a lovely track from Wellington band Shihad, who were once very good.

Shihad: Derail
This is a song from Shihad's 1993 album Churn, which is quite frankly a flat-out monster of an album. It was the first album for the band (their only prior release being the 4 song speed metal EP Devolve) and is permeated with various themes; that of isolation, of being trapped within the machinations of modern society, and of the dehumanization that has come about due to the state of modern life. its a very reactionary record, that rips and gouges with cold steel pincers at the rotting underbelly of human existence and the lies that fuel our lives.
Not that I wish to paint this album as being all about doom and gloom, verily there are glimmers of hope that shine through the crushing derision inherent within this album. Like a flower growing up through a crack in concrete, to use a hackneyed simile.
But what I love about this album the most, aside from the music, is it completely uncompromising and bilious attitude towards the piss-poor state of the falsities humans have built up around life; the perfidiousness of the media, the consumer-driven materialism and the uncompassionate "me first" human extrapolation of the apophthegmatic "survival of the fittest" that is so ubiquitous in the collective mindset of humankind. To name but a few issues explored on this album.



In other words, an album that the likes of I can certainly get behind.
Here's track 7 from the album, unedited and presented in its full glorious entirety, the mighty Derail.



I'm putting this song up online as a public service really, as the only way to listen to this song online otherwise is to watch the official video clip on youtube, which has poor audio, poor picture quality and has been edited so the entire middle 8 of the song is not included. Hopefully me putting it up here is OK with the karma of the world.
As an added bonus, here are the lyrics to the song:

Abrasive to the touch.
All in all in all the same thing now.
We are gathered here in nonesuch.
Hooks back to the line.
And I trip over myself here
and I trip over myself.
Something's stuck in me here
and I can't get out.

Some in paint.
Some in blood.
Some in makeup.
Derail me.

To everything -
churn, churn, churn
There is a season -
churn, churn, churn
There is a reason -
churn, churn, churn
This ain't the time or the place.

I am sick of walking into rainbows.
I am sick of plugging into rainbows.
I am sick of tuning into rainbows.
I am sick of turning into rainbows.


If you enjoyed that wee ditty I urge you to track down a copy of the album, its definitely well worth it.

♫ Chloé

Saturday, January 9, 2010

Idiot Flesh - Idiot Song

Here's a lovely little short film/music video for you guys. "Idiot Song" by Idiot Flesh, directed by Annmarie Piette.
Its quite possible that some of you won't have seen something quite like this for a fair old while, if at all. Me, I watch and listen to this kind of stuff all the time, so I'm used to it.
Every time I watch this clip I get a strong feeling of calm, with a tinge of nostalgia for some reason. It could have something to do with the way its shot and edited, and the way the images are so congruous with the music.
I like how it takes one on a little journey without the need for any sort of pretension to a thematic "point A to point B to point whatever" structure.

I guess what I'm also trying to say is that I think vibrant and lively videos such as this beat the pants off the dull and creatively void wasteland of most "popular" music videos.
Its best viewed in a dark room whilst wearing headphones for full effect.



You need to go to the dentist Nils.
Could you imagine these guys working in an office cubicle somewhere, or some shit like that? No, these are the types of creatives that belong out and about, wild and free, peddling their saucy aural and visual wares throughout the land(s), unconstrained by the dullards that choke up this world with their narrow-minded, "neatly fits into a slot" prosaicism*.
Ahem.
Sorry. I was starting to go off on a tangent there. Its too early in the morning for my particular brand of revilement.

You might recognize a couple of the fellows in this clip, Dan Rathbun and Nils Frykdahl, as being from the band Sleepytime Gorilla Museum. I, like many others, became aware of Idiot Flesh after getting into SGM. There isn't a heck of a lot of information available on Idiot Flesh, but I've gathered together some of the better stuff that I've gleaned from my internet wanderings, should you be interested in finding out more about this band.
Idiot Flesh's music is the type of music that grows on you, with more layers of depth and substance revealed to the listener over each subsequent listening. So they're a band that requires some patience, but that greatly rewards an investment of said patience.
At least I think so at any rate. Your tastes in music may be far removed from mine.



You can find out more about Idiot Flesh at the links below:
Idiot Flesh Wikipedia entry.
Idiot Flesh myspace. The Idiot Song video is also on the myspace page, on autoplay, just below the song player. Click on the video to stop it so you can hear the tracks on the song player.
Lyrics for Idiot Song.
Carnival of Flesh. A brief yet revealing article on Idiot Flesh written back in 1998.

There are also plenty of Idiot Flesh songs floating around on youtube. Start off here and have a poke around.

Chloé.
*Not that I'm saying that everyone who works in an office cubicle belongs there, or wants to be there. My vicissitude is only directed at the types of people who want to be working in an office or some such. Or who are at least fairly content to work in such a job.

Monday, December 28, 2009

Idiot Box: Artworks inspired by old TV shows



Earlier in 2009 (during April 2nd to April 23rd to be precise) Los Angeles-based art gallery Gallery 1988 hosted the Idiot Box Art Show. 100 artists contributed work inspired from various old (predominantly 80's-early 90's) TV shows that have become ingrained in the minds of many who grew up in that era, or were exposed to such shows later on in perpetual rerun hell.
There were some really cool artworks included in the exhibition.

Here is a link to where you can see a whole bunch of them. They range from the cute to the absurd to the sinister.

Unfortunately it appears a fairly substantial chunk of these pieces are no longer available to view on the site I just linked you. But there are still plenty of gems in there. The names of the pieces and the artists who created them are still listed under the pictures that are no longer there, so a bit of copy/pasting into google should sort you out if you're absolutely dying to see what a particular missing artwork looks like.
Vortex fave Jim Mahfood was one of the contributing artists. His piece isn't included in that link, but you can see it here.

I admit I don't watch all that much TV, and some of the shows referenced I'm not at all familiar with. But that's fine, I still enjoy the art as it is.
I find it interesting to see how a pop-culture force such as a successful television show inspires people who express themselves in other mediums such as pictorial images and sculpture. Even though the shows have finished their run they continue to live on in the hearts and minds of many. Sometimes this a good thing, sometimes not (I hate you Urkel).
However, I find it even more interesting how certain artists in this collective have filtered these shows through their own twisted psyches to end up with unique creative product which at times can be amusing, captivating, and in some instances... rather disturbing.

But also very entertaining. So go check it out won't you pleeeeease?



Chloé

Pictures used in this post:
"The Family" © Anthony Clarkson.
"We can Has A.L.F.?" © Casey Weldon.

Sunday, December 6, 2009

What We Did On The Weekend - by Zöe Kovac

My cousin Zöe has been bugging me for a while now to do a guest column for Randomitronica, so after much whining about it on her part I have finally decided to concede to her wishes. So take this as a warning people. I’m just going to leave her entry the way it is and not proof read any of it. I have added some pictures to this post though. As its Randomitronica tradition to have pictures with these things.
There wasn’t any fire by the way, it was just me forgetting about how Zöe’s toaster is incapable of doing anything but burning toast.
-Chloé




Greetings folks, I’m Chloé’s cousin Zöe. That’s all the introduction you’re gonna get from me. I don’t know you people!! No names have been changed to protect anyone.
I’m writing this on Sunday morning. I currently have a hangover that could crush the skull of a less seasoned individual than myself. I can hear someone stumbling about in the living room coughing and muttering something about “dancing pants.” Guess who that is.
Cousin Chloé and I got up to a few things this weekend, so seeing as I was going to do a guest Randomitronica I’ll write about that.
On Friday night we went to see Pearl Jam in concert, as I needed to do a review of the gig for work. That was fine by me. I got two free tickets out of the deal. I gave one to Chloé as a birthday present, despite her protests that she’d “rather have [her] tits ripped apart by weasels than listen to one single second of any of the languorous pap Pearl Jam has shat out for the last 13 years”. I cared not for her whinging. It saved me having to actually pay for a birthday present for her.
I finally managed to convince her to come with me by letting her know that a certain guy she fancies (we’ll just call him “Simon P. Southberry”) would be coming along too. Ah lust. It can be so handy when it comes to getting people to do what you want them to do.
Liam Finn plus Ben Harper & the I dunno, Deflated Ballsacks or something were playing support for Pearl Jam, but they’re both rubbish so we just stayed near the bar while they were playing. Jesus Christ the beer there was expensive. $11 for a bottle of Corona? That’s insane!

Where was I? Oh yeah, so Pearl Jam started their set only about 25 minutes after the tickets said they would, so that was pretty good going. Some giant sasquatch of a man drunkenly stumbled into me during Pearl Jam’s first song (Daughter) which wasn’t too cool because I’m small and was already half pissed by this point. So I did the only decent thing I could do really, and tripped him up as he careened out of my personal space. Ha ha! What a dunce.
Chloé wasn’t too happy about that cos by tripping the big guy up it caused him to fall onto Simon, who spilled his drink (red wine) on Chloé’s white blouse. But who cares. Whoooo! Pearl Jam!
Pearl Jam put on a very solid performance, the band played pretty much flawlessly, and Eddie Vedder was in fine voice. But they were at the end of a tour, so you’d expect the band to be tight and firing on all cylinders. It was also good to hear the road hadn’t worn out Vedder’s vocals. About two thirds through the gig it looked like he was soothing his throat with some kind of spirit from a big-ass bottle he had near him. Probably why he invited Neil and Liam Finn up on stage with him during the second encore for a rendition of that Chris Knox song “Not Given Lightly”. Which was a moment that was both patriotically rousing and incredibly fucking cheesy. Some people held their lighters aloft during this song. I wasn’t sure if they were trying to be ironic, they were full of boozed up silliness, or if they were just idiots. Probably all three. I wanted them to die.


They had a huge monitor on either side of the stage so you could see the band members clearly as various cameras focussed on what various members were doing at any given time. This was very much appreciated by me, even though it made me realise just how much of a walking cadaver Stone Gossard looks like nowadays. Seriously. If you shaved that guy’s head he’d be Nosferatu incarnate. But Nosfuratu with a guitar. In other words, getting dangerously close to farcical territory, ya hear me Gossard?
It was cool to see Matt Cameron live again. He’s one of my fave drummers, and the only other time I’ve witnessed him live was during a Soundgarden concert many years back (coincidentally at the same venue this PJ gig was at). I prefer his drumming in Soundgarden though, his beats in Pearl Jam are more pedestrian, not as inventive. But whatevz. You adapt your style to suit the band eh. I’m a drummer myself, I know how it goes.
I wish it had been Soundgarden playing. That would’ve cheered Chloé up. The grizzling bitch.

Pearl Jam played for quite a while, about two and a half hours or so. We left a few songs before the end of the concert in order to avoid a huge crowd of people all leaving at the same time. We could still clearly hear the band playing when we were way down the street from the venue. We then had to wait as a multitude of taxis went past us while Chloé was stubbornly smoking a cigarette. I tried explaining to Chloé that we needed a taxi that could accept credit cards so we shouldn’t be mucking about, but she wasn’t having a bar of it.
Well we finally managed to get an appropriate taxi, so Simon, Chloé and I went back to my place. The rest of my housemates had gone down to Taranaki for the weekend so it was just us in the house. Which was good, cos we felt like being rowdy.
We proceeded to hang out in the living room, threw the old I-Ching, ate some chips, drank some daiquirís and had some whippets. Chloé didn’t have any whippets though, because she considers them to be “retarded”. We had the music channel playing on the TV, they played a bunch of Pearl Jam, which was nice, although I was kind of glad when the Pearl Jam stuff finished as Chloé was giving me the evil eye after a while.
Then they started playing a Billy Idol marathon, which we were thoroughly entertained by.


By this time we were all starting to get pretty sloshed. I remember Rob Zombie’s “Foxy Foxy” clip came on the TV, which made Chloé stand up and roar “goddammit what the fuck is this turgid dross? Rob Zombie’s had a fucking lobotomy!” at the top of her lungs, spilling chips everywhere. It was really funny. I think the outburst scared Simon a bit. Or maybe it was just the whippets making him look a trifle unsettled.
Simon wanted to play truth or dare but its no use playing that with Chloé and I as we’ve known each other since we were little kids, and pretty much know all of each other’s sordid little secrets.
My recollections of the night get fairly blurry after that.
I got up to go to the loo at some point and when I returned Chloé and Simon had disappeared. I assumed Chloé had squirreled him away in the spare bedroom to have her wicked way with him, but she soon returned, complaining that Simon had passed out on her.
Boys. Useless.

So then we watched Pumpkinhead.
I woke up several hours later on the couch feeling like someone had shanked me in the head. Chloé was busy burning toast. After we’d both had showers, woken Simon and kicked him out of the house sent him on his merry way I got a text message from my pal Johnny who was having a barbeque round at his place. Chloé had a whole bunch of mp3s that she wanted to give to him for his radio show, so we took a bus round to his house at about noon. We sat about in Johnny’s “man cave” (a smallish sunroom in the front of his house) for a while drinking Coronas and watching random bits of Samurai Jack episodes.
At some point one of Johnny’s mates arrived and we watched a clip on youtube he’d directed of some local political rally. There was an angry heckler guy in this video who got escorted from the premises by some rather large security dudes. Johnny’s mate had filmed the whole debacle. The angry heckler dude called out one of the security guys (“whatcha gonna do now ya fat maggot?!”) which I found so funny I laughed beer through my nose.

There were about ten of us hanging out in the house at this point. We all decided to go down to the park near Johnny’s house, as there was a free concert happening down there and you could bring your booze along. Johnny still had the 3/4 full bottle of Chivas Regal that I’d left at his house a few weeks earlier, so I took that along with me. Chloé wasn’t too keen on the idea of me bringing the whiskey along, she was all like “you shouldn’t take that with us, remember what happened last time you drank that stuff”. But she needn’t have bothered as I wasn’t going to listen. Because I don’t remember what happened last time.
We got to the concert thingy, and Johnny and his mate went off to find some people to film. A bunch of us sat up on a hill drinking and watching the various musical acts perform. Che Fu played a set. He was in Supergroove y’know. He was called Che Ness back then. His set was really lame and boring MOR RnB shit. I got frustrated with it after awhile and kept yelling that he should “shut up and fuckin’ play Scone Farm” until Chloé pointed out that Che never sang on that particular Supergroove song. Ah tits, man. I wish he’d played it anyway, that would have been something.
Don’t get me wrong though, to each their own with their personal music tastes. I just flat out don’t care for RnB. Che’s a pretty decent, versatile singer and his voice suits the RnB style, I just miss his “rock vocal” style he employed in Supergroove.
By that point the whiskey was starting to kick in so we thought it best that we walked back up the hill to Johnny’s while we were still able to stand.
I think we lost a guy on the way.

Johnny and a couple of his mates tended to the barbeque while Chloé and Johnny’s missus Trudy played Tekken 6 on Trudy’s Xbox. I just walked around the house talking to myself and humming Depeche Mode songs. I was to find out later that rather than humming the songs like I thought I was I was actually singing them very loudly and out of tune. And apparently my house wanderings had cumulated into me sitting in the empty bathtub for about forty minutes. But hey, at least I didn’t fall into the barbeque.



I don’t remember if I managed to get out of the bathtub myself or if I was dragged out, but I do remember that by that point there were way more people there and all the barbeque had been eaten. Bastards.
At some point I had a cigarette, I think, as there is half of one in my pocket. I must have been pretty soused to have done that.

And that’s pretty much all I remember. I’ll have to ask old Coughing Girl out there what went down during the rest of the evening, all I know is somehow Chloé and I made it back to my house.
I can hear her yelling. Something about Rob Zombie. Must be that clip on again.
Holy shit the fire alarm just started up.

~Zöe
.

Monday, November 23, 2009

The Wall of Death: Lion Drome


"My ride's cooler than yours"


A fine example of the sort of things people got up to for the sake of entertainment before television, video games and the Internet arrived to wreak havoc upon us all. Click on the photo and see it full size I say. It was taken circa 1929 at Revere Beach, Massachusetts, in da US of A.
My (admittedly brief) research on lion dromes indicates that during the time period when this photo was taken, one could buy a ticket to watch this sort of inspired lunacy right under one's nose for around 10-15 cents, which was about the price of a movie ticket in those days.
Motordromes are still operating today (although they're not nearly as popular as they were back in the 1930's when these events were at their peak of public interest), but minus the lions*.


Yeah, this picture has been floating around on the internet for a wee while now, but for those who are interested here's the story of how it found its way onto the Internet, plus a brief history of the motordrome.

*Gee, I wonder why?


◕‿◕ Chloé

Sunday, November 15, 2009

Skeptics - AFFCO


Ladies and gents, I would like to play a video clip for you.

Its a song about meat. Or, more specifically, the processing of meat. It was written by a band named Skeptics (or The Skeptics), who formed in 1979 in Palmerston North, New Zealand.
The song featured here is entitled AFFCO, which is an acronym for Auckland Farmers Freezing Company Ltd. Here is a brief description of the company AFFCO, taken from their official website:
"AFFCO is one of New Zealand's leading food companies, having operated in this competitive and innovative sector of New Zealand’s primary sector since 1904.
AFFCO processes and exports more than 150,000 tonnes of meat products and by products every year and is a major earner of foreign exchange earnings for the country.
"

I shall warn you now, it is a video that depicts, in a very graphic way, what goes on every day in a meat processing plant. The video itself has stirred up quite a lot of controversy over the years, but its worth noting that the band (and film makers) are not making a case for animal rights here, nor are they celebrating the killing of animals for human consumption. This is a song about people who "pack meat", and thus the video clip and the song itself are merely a reflection of the band's impartial stance on this issue.
Plus it features lead singer David d'Ath (who died of leukaemia on the 4th of September 1990) wrapped in glad wrap and covered in baby oil and food colouring. That's got to be good for you all to see.



The song to my ears is a wonderful thing. I love the graunchy, stuttering and propulsory nature of this tune. The scuzzy, buzzing guitars, the clunky bass, the barked vocals and the claudicant drums all combine to make a rather selcouth aural experience. Especially for New Zealand in 1987. It comes from the excellent album Skeptics III, which is well worth checking out. If you can find it, aahahahaa. I have it on one of my hard drives in mp4 format.

What interests me is the sheer amount of public umbrage that has been stirred up over the years over this clip. Sure, some portions of it are by no means pleasant to watch, but this is what happens in an abattoir. I'm not going to sit here and judge anyone if they happen to enjoy eating meat, or if they are vehemently opposed to the practise. That's their business.
What I do find rather ridiculous though are people who eat meat and yet get all upset when shown how the meat gets to their table. The picture below that I've slapped together is a fine representation of the process, but notice how it misses a very important step, which is how the meat goes from animal to that fancy shit people pay too much money for at restaurants.



OK, so that's not sheep meat he's eating there, but you get the idea. He looks like a putz anyway.

I myself also have a very nonpartisan viewpoint on the issue of animal processing for human consumption. This post is merely about the song and its video clip. Hopefully I have come across as neither for or against this particular practice. Whatever views you may personally hold on this issue are none of my concern, and I'm certainly not here to judge either way.

You can read more about how the video was conceived and made by clicking here to read an account of the video's production by the guy who initiated, directed, shot, and edited it.
A well written mini-history of the Skeptics can be found here.

Chloé